Satan Calling Up His Legions William Blake 1808-1810

Satan Calling Up His Legions William Blake 1808-1810

(Source: poisonwasthecure, via iambecomedeath)

(Source: citrussucker, via porcinestresssyndrome)

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(Source: distorthope, via rachmangler)

(Source: figner, via earthwormm)

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poisonwasthecure:

From Arthur Grottger’s Primeval series of Lithuania 19th Century

poisonwasthecure:

From Arthur Grottger’s Primeval series of Lithuania 19th Century

(via lonerwitch)

poisonwasthecure:

Sarkofagi Leon Wyczolkowski 1895

poisonwasthecure:

Sarkofagi Leon Wyczolkowski 1895

(via lonerwitch)

cubofthewoods:

I’ve been reading the 2nd Edition Dungeon Masters manual in hopes of learning to be a half competent DM one day. The book says “theatrical flair and good dramatic timing” are good qualities for a Dungeon Master to have, and I like to think I possess those qualities. Plus I have a pretty sweet wizard ensemble. 
Dungeons & Dragons artwork inspired me from an early age. When I was 4, my Mom bought me a basic D&D set from the March of Dimes thrift store. I was drawn to the giant red dragon on the box (painted by Larry Elmore, who remains one of my favourite artists). I couldn’t even read yet, but I loved looking through the manuals and trying to recreate all the little black and white drawings of gnolls and goblins. The feeling/tone of that old D&D artwork is a huge influence for me, one I’m always trying to channel.   
  

cubofthewoods:

I’ve been reading the 2nd Edition Dungeon Masters manual in hopes of learning to be a half competent DM one day. The book says “theatrical flair and good dramatic timing” are good qualities for a Dungeon Master to have, and I like to think I possess those qualities. Plus I have a pretty sweet wizard ensemble. 

Dungeons & Dragons artwork inspired me from an early age. When I was 4, my Mom bought me a basic D&D set from the March of Dimes thrift store. I was drawn to the giant red dragon on the box (painted by Larry Elmore, who remains one of my favourite artists). I couldn’t even read yet, but I loved looking through the manuals and trying to recreate all the little black and white drawings of gnolls and goblins. The feeling/tone of that old D&D artwork is a huge influence for me, one I’m always trying to channel.   

 

(via gravewithoutaname)